WRI 510: Syllabus

Instructor and Course Info

Matt Frye — matt.frye@oit.edu — 94I-5O4-I38O

Office Hours: Noon – 12:50pm Daily (All classes) // 3:00pm – 4:20pm T/R (see below)

WRI 510 focuses on the process of writing a proposal-style document, and it is geared specifically towards grant proposal writing and fundraising. Many of the discussions in this class are applicable for research project proposals, business proposals and crowd-funding campaigns. This course uses a combination of corpus linguistics, genre analysis and rhetorical analysis to create a set of disciplinary rules for crafting a proposal. By the end of the course, you are expected to create a proposal of your own that is appropriate for submission to its target audience—whether that be a major funding source like the National Science Foundation or a local interest group like a book club.

WRI 510 is an upper-level version of WRI 410, so both courses will follow a similar path all term. I’ll post lecture/overview videos each week, and I’ll ask you to engage with your peers via discussion boards. Our class time (3:00pm – 4:20pm, Tuesdays and Thursdays) will be set aside as a special set of office hours just for Grant Writing students. On Tuesday, we’ll do a general Q&A and discussion of readings and assignments. On Thursday, we’ll do a more practical look at how our readings work with real-life proposals. Attendance is not required for these sessions. As per OIT policy, these sessions will be recorded and posted to Canvas.

In the past, I added extra requirements in WRI 510 assignments to distinguish them from WRI 410. However, as this class is taken almost exclusively by Master’s in Allied Health students seeking support/funding for their capstone projects, those additional requirements did not necessarily lead to better projects, just additional workload on students.

Learning Outcomes and Objectives

By the end of this course, you are expected to be able to do the following:

  • Describe the genre conventions of RFPs (or similar documents) and proposals, both generally and within your discipline or career path
  • Locate RFPs (or similar documents) appropriate to your discipline and career path
  • Analyze the audience of your work using both RFP information and external research
  • Clearly explain the purpose of your work to your audience
  • Fully describe your audience and their needs/expectations
  • Make appropriate adjustments to documents to meet the needs of your audience
  • Use appropriate evidence/support to demonstrate your expertise to your audience
  • Generate and work within your own schedule to meet the needs of an external deadline
  • Assess and justify your own decisions in every document you create. (I can grade you for the next 10 weeks, but starting in week 11, you need to do that for yourself.)

Assignments and Grades

There are four major units in the course, each supported by a series of discussion boards. For ease of math, all assignments are entered into Canvas at their final gradebook value. If you ever want to know your current grade, just add up the total number of points you’ve received. (See Late Policy below.)

Unit 1: Getting to Know You (10%)

Annotated Resume or Biosketch: 10%

Unit 2: Solicited Proposal (35%)

Discussion 1: Move Identification: 5%

Discussion 2: Audience Analysis: 5%

Discussion 3: Move Planning: 5%

Annotated Proposal Draft: 15%

Peer Review: 2 @ 2.5% each

Unit 3: Unsolicited Proposal (35%)

Discussion 4: Audience Identification: 5%

Discussion 5: Core Appeals: 5%

Discussion 6: Buddy System: 5%

Annotated Proposal Draft: 15%

Peer Review: 2 @ 2.5% each

Unit 4: Finalized Proposal (20%)

Revised Resume or Biosketch: 5%

Annotated Proposal: 15%

Course Materials

All course materials will be made available online. I recommend using Microsoft Word (which you can get with your OIT login info at Office.com) or Open Office Writer (which you can get at OpenOffice.org). Please do not use Google Docs to create your documents for this class. Document formatting in grant proposals is very important, and Google Docs doesn’t offer a lot of power in that area.

Policies

Attendance

As noted above, I’ll be using our class time as a sort of focused office hours just for grant writing students. Tuesdays will be general Q&A, while Thursdays will include a practical walkthrough or use-case of our readings or assignments for that week.

Academic Honesty

According to OIT-14-030 (Student Academic Integrity policy): 

Academic dishonesty is defined as cheating, plagiarism or otherwise obtaining grades under false pretenses. Plagiarism is defined as submitting the language, ideas, thoughts or work of another as one’s own or assisting in the act of plagiarism by allowing one’s work to be used in this fashion. Cheating is defined as, but not limited to: obtaining or providing unauthorized information during an examination through verbal, visual or unauthorized use of books, notes, text and other materials; obtaining or providing unauthorized information concerning all or part of an examination prior to that examination; taking an examination for another student or arranging for another person to take an exam in one’s place; altering test answers after submittal for grading; changing grades after grades have been awarded; or altering other official academic records.

You will use materials created by other people and organizations to do your work. I expect you to incorporate the thoughts and language of others into your work, but we will also discuss the ways of documenting this appropriately. The important qualities to pay attention to are “appropriate” and “authorized.”

While attribution style will differ according to your discipline and career path, the rhetorical move of showing what conversations you are connected to is an absolute necessity. No professional works in isolation.

Intentional plagiarism or outright cheating will result in a zero on the task. Egregious or repeated offenses will result in a referral to the Student Hearing Commission.

Classroom Conduct

On discussion boards, you are expected to act like professional. Please contribute to discussions and activities, and do not purposefully harass, intimidate, insult, bully or otherwise diminish the experience of any of your peers.

In the age of social media, this also goes for conduct outside class, but I’m not grading that.

Email/Communication

No working relationship should be completely inflexible. Any policy in this syllabus or on any assignment is up for discussion, individually or class-wide. If life throws you a curveball and you need some wiggle room, let me know. If an assignment just isn’t working for the class, we can change it. I plan these classes long before the term starts, and something is bound to need adjustment as the quarter unfolds.

I do my best to return emails as quickly as possible, but I’m old and I keep old-people hours. Please give me 24 hours to get back to emails. If it’s more urgent than that, I welcome texts and calls to the phone number at the top of the syllabus (it’s my cell, so it should stay active if Skype for Business goes down).

Accommodation

If you have a disability that requires any additional accommodations to complete work this course, please let me know. Like all professors at OIT, I rely on the Disabilities Service Office in LRC 229 to help me with this process. If you feel that you may need some accommodation in your courses, please contact this office.

In an online setting, that requirement is particularly onerous. I’m happy to make any and all accommodations necessary to help you reach our course objectives.

If you do not have a disability but you think I could do a better job of accommodating your learning style, also let me know. Seriously. I do my best to ensure that my courses create as few hurdles as possible beyond their content. If I’m not succeeding there, I want to know.

Late Policy

In the world of grant writing, there is no late policy. Anything received after a deadline (even moments after a deadline) is typically unacceptable. This is just due to the nature of grant writing: any opportunity is going to be met with dozens, hundreds or even thousands of proposals. Any restriction that a funding group can place to filter out proposals is just a matter of workload control. Please use our planning assignments to your advantage to make sure that you stay on schedule!

… Now, that said, this is a college course. I hope you’re writing these proposals for a real purpose. However, I completely, totally, 100% understand that life is going to get in the way for all of us at some point this term. That’s just due to the nature of being in college: mine is just one of four or five courses you’re taking right now.

Discussion boards can be completed late, but your posts are only worth 1 point. Proposals can be completed late at no penalty. The only hard deadline is the end of the term, as I need to have grades in by the Monday after finals week.

WRI 510: Grant Proposal Writing

Welcome to Grant Proposal Writing! This page has the schedule and links to all of the resources you need for the course. All of this content is duplicated on Canvas.

Schedule

Week 1 (March 29 – April 2)

Videos

Readings

  • Biosketch Guide: LINK
  • Biosketch Template: LINK
  • Resume Guide: LINK
  • RFP Resources: LINK

Assignments and Due Dates

By the end of the week, please complete the Annotated Resume or Biosketch assignment. Also, drop by the Main Discussion board and introduce yourself!

Week 2 (April 5 – 9)

Videos and Readings

  • Weekly Overview video here: LINK
  • Connor and Upton Walkthrough here: LINK
  • Discussion Post Assignment Overview here: LINK

Ulla Connor and John Upton’s “The Genre of Grant Proposals,” from Discourse in the Professions: LINK

Assignments and Due Dates

We are officially starting the Solicited Proposal project this week. It is due on May 2.

By Wednesday, complete step 1 of Discussion 1. By Friday, complete step 2.

Week 3 (April 12 – 16)

Videos and Readings

  • Weekly Overview video here: LINK
  • Weekly Discussion Board video here: LINK
  • Solicited Proposal video here: LINK

Module 15 of Lumen Learning’s Technical Writing: LINK to table of contents, or individual readings linked below.

Assignments and Due Dates

By Wednesday, complete step 1 of Discussion 2. By Friday, complete step 2.

Week 4 (April 19 – 23)

Videos and Readings

  • Week 4 Overview: LINK
  • Discussion 3 Overview: LINK
  • Readings Overview: LINK
  • Word Techniques for Page Design: LINK

Videos this week: The overview, the discussion board explanation, the readings explanation and a Word Processor Techniques video to go with our readings. I recorded them Sunday afternoon, but the sunlight makes them difficult to watch (which is a nice way of saying I’ve spent far too much time indoors the last few months). They’ll be re-done and posted by noon on Monday.

Module 3 of Lumen Learning’s Technical Writing: LINK to table of contents, or individual readings linked below.

Assignments and Due Dates

By Wednesday, complete step 1 of Discussion 3. By Friday, complete step 2.

Week 5 (April 26 – 30)

Videos and Readings

Overview video for this week: LINK

No additional reading.

Assignments and Due Dates

By Wednesday, please post a rough draft of your Solicited Proposal to the Solicited Proposal Peer Review discussion board. By Friday, please review two peers (the person who posted above you and the person who posted below you).

By Sunday, please submit your Solicited Proposal to the assignment page on Canvas.

Week 6 (May 3 – 7)

Videos and Readings

  • Overview video: LINK
  • Connor and Gladkov video: LINK
  • Discussion video: LINK
  • Unsolicited Proposal: LINK
  • What do we do about last week? LINK

Ulla Connor and Kostya Gladkov’s “Rhetorical Appeals in Fundraising Direct Mail Letters,” from Discourse in the Professions: LINK

Assignments and Due Dates

We are starting the Unsolicited Proposal this week. It is due May 30.

By Wednesday, complete step 1 of Discussion 4. By Friday, complete step 2.

Week 7 (May 10 – 14)

Videos and Readings

Videos

  • Weekly overview: LINK
  • Rhetoric overview: LINK

The videos below are from last year. I started to re-record things for this year, and I realized that I was just repeating myself. I don’t like to re-use old stuff like this, but it’s the best I can do at the moment! I recommend either reading the Aristotle chunk or viewing the videos.

  • Book 2, pts. 2-3, Anger/Calmness: LINK
  • Book 2, pt. 4, Friendship/Enmity: LINK
  • Book 2, pts. 5-6, Fear/Confidence, Shame/Shamelessness (Pride): LINK
  • Book 2, pt. 7, Kindness/Unkindness: LINK
  • Book 2, pt. 8, Pity: LINK
  • Book 2, pts. 9-11, Envy, Emulation and Indignation: LINK
  • Book 2, pts. 12-14, Audience Types: LINK

Aristotle, Rhetoric. Please just read Book II (pages 38-77): LINK. If you need a cheat sheet for the dispositions, try this one.

And, here’s that Maximum Fun letter:

max fun letter example

Assignments and Due Dates

By Wednesday, complete step 1 of Discussion 5. By Friday, complete step 2.

Week 8 (May 17 – 21)

Videos and Readings

Week 8 Overview: LINK

Discussion Board Overview: LINK

Goering Video: LINK

Elizabeth Goering’s “Framing Matters: Communicating Relationships through Metaphor in Fundraising Texts,” from Discourse in the Professions: LINK

Assignments and Due Dates

By Wednesday, complete step 1 of Discussion 6. By Friday, complete step 2.

Week 9 (May 24 – 28)

Videos and Readings

Overview video here.

No additional readings this week.

Assignments and Due Dates

By Wednesday, please post a rough draft of your Unsolicited Proposal to the Unsolicited Proposal Peer Review discussion board. By Friday, please review two peers (the person who posted above you and the person who posted below you).

By Sunday, please submit your Unsolicited Proposal to the assignment page on Canvas.

Week 10 (May 31 – June 4)

Videos and Readings

Week 10 video link

Assignments and Due Dates

If you complete some revisions by Wednesday, please post your materials to the Final Project discussion board. Follow our normal peer review procedure (reviewing the person above you and below you) by Friday to get 1 point of extra credit per review.

Finals Week

Your final project materials are all due by Wednesday night. (I’ll start grading on Thursday.)

RFP Resources

What this Document Is

This is a loose list of resources to find grant opportunities. It is worth noting that exhaustive lists of opportunities are hard to come by—and typically very expensive (grant agencies are careful about sharing their opportunities for the same reason you probably don’t put your personal phone number in public forums!). This list is compiled from my and student work in the past.

I will continue updating this resource as I encounter new and useful things.

List of Live Resources

National

Grants.gov Grants.gov is a standard starting point when looking for public funds for a project. It archives all live, upcoming and closed opportunities from every government agency that offers grant funding. Obviously, this means you will need to do some careful searching to find things that are applicable to your goals. Grants.gov is an index resource rather than a host for grant submissions, so all opportunities that you click on will follow a similar format. Each will give you information about the granting agency, grant limits, proposal qualifications and proposal submission. If you use this resource for class, you must do more research on the agency or organization behind the grant.

NIH Grants (https://grants.NIH.gov/funding) Like Grants.gov, the National Institutes of Health funding site is primarily an index. However, because grant types and organizations are more similar than on Grants.gov, you will find more detailed information on each grant opportunity. Do note that the NIH funds a wide variety of projects: you will find multimillion dollar support for researching AIDS and cancer treatment alongside $50,000 funds for small, local interventions. The structure of each resource is also little wonky. You will need to do quite a bit of scrolling down (or clicking through a series of links) before you find the full text of a grant.

NACCHO: The National Association of County and City Health Officials funds county- and city-level health administration efforts. This is separate from health intervention or outreach. NACCHO tends to be concerned with logistics and bureacratic efficiency. NACCHO grants do not require any kind of membership, but they are often very involved. If you look at a NACCHO grant for this class, let me know. Students typically identify a few faculty members or professional contacts (the Collaborators and Affiliates part of your Biosketch) that they would work with, then fill out specific parts of the NACCHO grant application.

NEA: The National Endowment for the Arts funds a variety of arts and culture projects. This includes fellowships for creative writing (if you’ve got a book you’re trying to finish) and community grants to make culture and history more accessible. In this set, the “Our Town” grant is one of the most accessible for a first-time grant writer, as it is designed to take advantage of existing partnerships you may have in a community and a creative/design ability you’ve been honing.

NEH: The National Endowment for the Humanities funds traditionally academic work. If you’ve got a journal article or book manuscript that you want to polish up, if you have some academic research you’d like to perform or if you’ve got anything that otherwise feels like a “school” project, only bigger, this is the right place to go.

State/Regional

Oregon Community Foundation The OCF supports a variety of public-facing projects in the state of Oregon. These range from business support to health and education, even to public parks development. Like the NIH site, this site can be a little overwhelming if you are just browsing. However, if you have even a loose idea for a thing you’d like to do for the public good in Oregon, this Foundation is an excellent option to look at. Professional Organizations One function of professional organizations is the funding and support of projects under their umbrella. I have worked on curriculum design and writing assessment projects funded by some of my own professional organizations—while the support is typically not very large (up to a few thousand dollars), it can help get a larger project off the ground.

Local

Klamath: Klamath County Economic Development Grant Program The KCEDGP is local to Klamath County and expects grantees to raise a significant amount of their own funds prior to applying. However, that said, if you are looking to start a project that benefits the local Klamath economy (including a small business), this resource is worth checking out. Even if you are not located in Klamath or if you aren’t looking for an economic development grant, this is a resource worth scrolling through to see the proposals of previous awardees.

Locally Judged and Awarded: Walmart Local Community Grants are typically small, but they can be used for a variety of local projects. In the past, students have written proposals for a Walmart grant with the intent of using it as either seed funding or proof-of-concept funding for a larger Oregon Community Foundation, NIH or other grant.

(Note: The Walmart Local Community Grant form and RFP are getting harder to access. This page will take you to a quick outline of what they expected in Spring 2020.)

Professional Society

  • ASCE (the American Society for Civil Engineers) offers several types of grants for members of student ASCE chapters, such as the STAY grant to boost or retain membership in student ASCE chapters and Conference Activity Grants to support student ASCE chapters who want to develop activities or events aroung regional conferences.
  • IEEE (the Institute of Electrical and Electronics Engineers) offers a variety of funding opportunities for student members, including scholarships and project funding. However, you must be an IEEE student member to see these opportunities (which is why I have no other links here). If you aren’t already a member, please don’t join just for this class.
  • RSNA (the Radiological Society of North America) has funding opportunities for both research and education. Depending on your student level, you might be interested in the research opportunities that support initial study development, or you might be interested in grants to improve radiological science education, particularly if you have some faculty to work with. RSNA does require one person on the grant application to be a dues-paying member.
  • SDMS (the Society of Diagnostic Medical Sonography) offers grants for continuing or improving educational practices, scholarships, research and even grants to help pay for certification exams. You must be a dues-paying member of SDMS to apply for many of these.
  • NCA (the National Communication Association), like many academic organizations, primarily funds research efforts and outreach associated with their discipline. If you are a student scholar looking for funding to do a large communication-oriented project (that will result in a presentation or publication), the NCA “Advancing the Discipline” grant may be appropriate for you.

Annotated Proposal

At the end of the term, I would like you to revise one of your two proposals from this term. This is not a request intended to reduce my end-of-term workload. Rather, I want you to really focus in on one of the proposals you’ve crafted and commit to it. Make it the best it can possibly be, ideally with the intent of submitting it at the conclusion of this course (or holding on to it as a template for future proposal work).

In this process, you should work through any comments you received from me or from peers and address them. You might do what your reviewer asked, you might take their advice and go a different direction or you might ignore it entirely. Whatever you decide to do, leave a comment on your proposal explaining your choice.

You should also clean up any placeholder content in your first draft. Either fill it in with the content you planned from the beginning or remove it. Leave a comment explaining what you did and why. (If you had to do some research to gather information, leave a reminder of where you found that info if your proposal does not require a reference list.)

Review your original comments to make sure they correctly point to and explain the moves you are making in this proposal. Revise the moves themselves or the comments if you need to. Again, leave a comment (or reply to your original comments) explaining what you did.

If you are revising your Solicited Proposal, please add a markup of all dispositions you are using in this document.

Finally, make any additional changes you feel are necessary to make this proposal especially strong for your audience. Comment on any changes and additions you’ve made.

Grading

Most of the grading throughout the term is based on completion: either you did the things the assignment was looking for or you didn’t. This final assignment is graded on completion and quality.

Front Matter: Please include your cover page (with your name, project title and a brief description of what you want supported) and the description page (audience description for a solicited proposal, table of dispositions for an unsolicited proposal). Including this material is worth 2 points.

Content: This must be a well-crafted proposal.

  • A clear purpose is worth 1 point.
  • Sufficient support to convince your audience is worth 3 points.
    • Inadequate support in some areas or way too much discussion in some areas will reduce this to 1 point.
  • A rhetorically effective (that is, a convincing) proposal is worth 2 points.

Annotations: You need to explain the moves you are making in this document.

  • Connor & Upton: Clearly and correctly identifying your Territory, Gap, Goals and Means is worth 1 point.
  • Aristotle: Clearly and correctly identifying each disposition you invoke is worth 1 point.
  • Goering: Clearly and correctly identifying what relationship you are invoking is worth 1 point.

Formatting and Correctness: This document needs to look professional.

  • Formatting that follows the RFP guidelines or that otherwise improves readability is worth 2 points.
    • Following standard academic guidelines but not the guidelines of your RFP or of the document type you are creating will reduce this to 1 point.
  • A document that contains no noticeable errors or stylistic mistakes is worth 2 points.

Revised Resume or Biosketch

Process

Please complete this document and submit it on the Revised Resume or Biosketch assignment on Canvas by Wednesday June 9.

Grading

This rubric is the same as with the first resume, but half as many points.

  • Basic Information (1.5 points possible)
    • 1.5 points: Document clearly notes who you are, your major/academic background and other technical or professional expertises (if any)
    • 0.5 point: Document clearly notes who you are
  • Identifying Details (1.5 points possible)
    • 1.5 points: Your document has clear details connecting you to specific expertises or types of projects.
    • 0.5 point: Your annotations have to explain your connection to specific expertises or types of projects.
  • Suggested Application (2 points possible)
    • 2 points: Your paragraph clearly indicates the types of projects you would be interested in.
    • 1 points: Your paragraph indicates vague areas you would be interested in working.

Annotated Unsolicited Proposal Draft

We’ve spent the last few weeks talking through rhetorical appeals and processes more deeply, with an eye towards convincing someone to act when they had no idea you were about to reach out to them. We’ll put those principles into practice by writing an unsolicited proposal to our target audience—something delivered or encountered with no prior warning, where our rhetorical task is to convince them to act when they weren’t planning to do so in the first place.

These proposals typically take the form of letters, though they could also be web pages (like crowdfunding pages), social media campaigns (typically a series of posts, rather than a single bit of outreach) or other kinds of outreach. Again, as with the solicited proposal, I don’t want to put a constraint on what you produce just to standardize what I’m grading. Instead, I’ll be grading your annotations explaining your rhetorical choices and the effectiveness of those choices overall. If there is some content that you are not able to provide right now, but you feel that you could provide by the end of the term, please craft placeholder content and leave a comment explaining why it will be effective.

By the end of the term, I will expect you to fill in all or nearly all of those placeholders, but you don’t need to exhaust yourself doing that right now.

Deliverable

In a Word or Open Office document, please compose the following. Use the Page Break tool to ensure each component starts at the top of the next page.

  • A cover page with your name, your project name and a brief description of what you’re asking for support for (2-4 sentences).
  • A separate page with your last discussion post (the table of dispositions) copied and pasted.
  • Your proposal draft, with annotations and placeholders.
    • Annotations should at the very least identify your Territory, Gap, Goal and Means
    • Annotations should also identify the places where you generate the dispositions from your table

Annotations

In Word, you can add comments by heading to the Review tab, then clicking New Comment.

Peer Review

By Wednesday May 26, please post your draft to the Unsolicited Proposal Discussion board as an attachment. By Friday May 28, please respond to two of your peers’ proposals. You should respond to the post directly above and directly below yours. (First and last posters: pick any peer for the above/below post. If you do not submit a document for review, you may pick any two peers to review.)

You will receive 2.5 points each (to a max of 5 points) for reviews that address the following:

  • Is the proposal’s project clear, in the proposal draft itself? If not, where could it be improved or what did it seem like the project was?
  • Does your peer use each rhetorical move appropriately and effectively? If not, which ones could be improved?

Proposal Grading

As noted on the syllabus, there is a due date but not late penalty on this. Please submit this document by Sunday May 30, or as soon as you are able to. A woefully incomplete proposal is better than nothing! Note that the rubric below is intentionally very forgiving. I’m hoping that you’ll do revisions over the next five weeks.

  • Territory, Gap, Goal, Means: 3 points possible
    • Identifying all four of the moves described by Connor and Upton is worth 3 points
  • Dispositions: 5 points possible
    • Identifying all of the dispositions from your table is worth 2 points.
    • Using the right evidence or discussion to create all of those dispositions is worth 2 points.
      • Clumsy or incorrect rhetoric is worth 1 point.
    • Ending with the right disposition for the action you want your audience to take is worth 1 point.
  • Formatting: 1 points possible
    • Formatting your document in such a way that it is easy to read and matches the type of document it is meant to be (e.g. letter, social media post, webpage) is worth 1 point.
  • Correctness: 1 points possible
    • Having no errors or stylistic mistakes the average reader would notice is worth 1 point

Discussion 6: Buddy System

During this week, please do the following.

  • Step 1: By Wednesday, reply to your post from last week. Using Elizabeth Goering’s framework, please identify what relationship you want to invoke with your audience. Explain why that is the most appropriate relationship in terms of the power you each have and the level of support you’re requesting.
  • Step 2: By Friday, edit your post from Wednesday. Add at least a paragraph of instruction to yourself explaining what language you need to use or avoid to create that relationship. Be specific here. Note specific words that you should use or avoid.

Process

Please note that I intentionally weight discussion boards towards simple participation, rather than making some number of discussion points. I want you to engage with each other, but I don’t want to force it. To that end, our course discussion board is going to be … weird.

Whenever you post, please write at the top of your post “Discussion X-Y,” where X is the discussion number and Y is the step number (1 or 2). That’s what I’ll use as a signal for which assignment you’re doing, if any (or if you’re just responding to a peer for funsies).

This is going to make a pretty giant mess when it comes to grading, so I’ll try to give feedback as quickly as possible, but getting the points in the book will be another matter entirely.

Grading

Discussion boards in this class are all worth 5 points. The first post is worth 2, and it is graded on whether or not it was completed on time. The second post is worth 3 points, split between the quality of your response and the timeliness of it.

Step 1: You’ll get 2 points if you post your initial identification and justification by Wednesday night. (Obligatory wiggle room statement: I’ll start checking Thursday morning, but your peers might be looking sooner.)

Step 2: You’ll get 2 points if you provide detailed, accurate instructions to yourself in your response, and if your response is up by Friday night. You get 1 point just for attempting this step.

Discussion 5: Core Appeals

During this week, please do the following.

  • Step 1: By Wednesday, reply to your post from last week or a peer’s post with an audience you want to write towards. In the body of your reply, please write a 2-3 sentence description of the project you want support for, then note the starting disposition your audience is likely to feel towards your project’s territory or gap (whichever you think they’ll think about first).
  • Step 2: By Friday, create a table with two columns in your Step 1 post. The left column should contain data points or discussion you could provide in your unsolicited proposal. The right column should indicate the disposition or emotion your audience will feel in response. Please put these items in the order you would provide them in your proposal. (That is, like this week’s videos discuss, you should work through a set of emotions/dispositions to get your audience from their starting point to whatever disposition is necessary for them to offer you support.)

Process

Please note that I intentionally weight discussion boards towards simple participation, rather than making some number of discussion points. I want you to engage with each other, but I don’t want to force it. To that end, our course discussion board is going to be … weird.

Whenever you post, please write at the top of your post “Discussion X-Y,” where X is the discussion number and Y is the step number (1 or 2). That’s what I’ll use as a signal for which assignment you’re doing, if any (or if you’re just responding to a peer for funsies).

This is going to make a pretty giant mess when it comes to grading, so I’ll try to give feedback as quickly as possible, but getting the points in the book will be another matter entirely.

Grading

Discussion boards in this class are all worth 5 points. The first post is worth 2, and it is graded on whether or not it was completed on time. The second post is worth 3 points, split between the quality of your response and the timeliness of it.

Step 1: You’ll get 2 points if you post your initial statement by Wednesday night. (Obligatory wiggle room statement: I’ll start checking Thursday morning, but your peers might be looking sooner.)

Step 2: You’ll get 2 points if you create a table of data/dispositions in your response, and if your response is up by Friday night. You get 1 point just for attempting this step.

Discussion 4: Audience Identification

During this week, please do the following.

  • Step 1: By Friday, please do one of three things. As with the solicited proposal, you will have lots of opportunities to abandon ship and find a new project/audience in the next few weeks.
    • Add a post to an existing thread. In addition to the usual “Discussion X-Y” header, please add “#UnsolicitedAudience.” (Yes, that’s a hashtag. I want to make this easy for folks to CTRL F through the various audiences for our next proposal.) In the body of your post, please identify a potential audience who would also be interested in project you pitched with your solicited proposal.
    • Create a new thread. Please use the hashtag listed above. In the body of your post, please identify a new project you want to get support for and a potential audience you could write to (or create mass-mailing/mass-contact materials for).
    • Create a new thread. Please use a different hashtag than the one listed above: #CrowdfundingAudience. Please identify a project you believe would benefit from a crowdfunding platform (e.g. Kickstarter, Experiment, IndieGoGo) rather than a traditional proposal.
  • Step 2: By Friday, please expand on your post from Wednesday the first part of your post by telling us what you know about your target audience. If you are doing the crowdfunding option, please describe your target audience. Yes, anyone can see and support a Kickstarter, but successful crowdfunding campaigns are directed at a narrow slice of the internet.
    • What do they value?
    • What projects have they supported in the past?
    • What is the limit on their ability to provide support? (i.e. How many dollars could you expect from them, or if you’re asking for other kinds of support, what’s the limit of that support?)
    • What do they already think about your project? Or, when they first see your proposal, what is their initial response likely to be?

[example]

Example

I want to get members of my community to donate school supplies to help restock elementary classrooms next Fall, particularly because COVID, distance learning, hybrid learning, distancing requirements, etc. all impacted teachers’ ability to rely on students to provide their own pencils, crayons, paper and other goods, and they had to provide all of that over the last year. It was actually really nice as a parent to not have to worry about that stuff, so I’d like to help the school provide those things to all kids.

I’m asking people in a specific neighborhood in Klamath Falls. K Falls folks tend to value community, as shown by the fact that they’re willing to risk an “Extreme Risk” COVID rating just to keep eating at local restaurants. I don’t know if that’s the best way to show community spirit, but it’s what we’ve got. Ultimately, though, K Falls is limited in the extent of support they can provide, and that usually manifests as an unwillingness to fund projects beyond how things “used to be.” The normal parent shopping list at the start of a school year tends to be $20-30 (school supplies only!), so I would expect that my average donor might provide $30 or a little more. My average donor in this neighborhood is likely to be a grandparent or someone else who doesn’t have kids going to the school, so I bet they’d support 1-1.5 kids’ worth of stuff.

I don’t know the right medium to send this out—whether I should use a letter, social media outreach, a billboard or something else. Most likely, the people with kids are not going to like my message. I think their starting disposition would be Shame at the idea that I’m saying we should all pitch in to support classrooms, rather than relying on individuals to make that choice on their own. But, I’m really interested in getting the people who would feel Pride/Shamelessness in K Falls schools and in helping out the kids.

There are 486 students. If $30 is the average price of school supplies for one kid, I would need to raise $14,580 in cash or school supply donations.

[/example]

Process

Please note that I intentionally weight discussion boards towards simple participation, rather than making some number of discussion points. I want you to engage with each other, but I don’t want to force it. To that end, our course discussion board is going to be … weird.

Whenever you post, please write at the top of your post “Discussion X-Y,” where X is the discussion number and Y is the step number (1 or 2). That’s what I’ll use as a signal for which assignment you’re doing, if any (or if you’re just responding to a peer for funsies).

This is going to make a pretty giant mess when it comes to grading, so I’ll try to give feedback as quickly as possible, but getting the points in the book will be another matter entirely.

Grading

Discussion boards in this class are all worth 5 points. The first post is worth 2, and it is graded on whether or not it was completed on time. The second post is worth 3 points, split between the quality of your response and the timeliness of it.

Step 1: You’ll get 2 points if you post your initial audience statement by Wednesday night. (Obligatory wiggle room statement: I’ll start checking Thursday morning, but your peers might be looking sooner.)

Step 2: You’ll get 2 points if you cover all four items (values, past support, ability to act, starting disposition) in your response, and if your response is up by Friday night. You get 1 point just for attempting this step.

css.php